Marcel Duchamp still has the power to shock
Henry Lydiate has been contributing to this magazine for 30 years. Not bad?
Unusually, except for its covers, this magazine stays with black & white as a matter of design principle. It seems to work very well as a digital offering without colour. What do you think? Here are one, two and three effective examples.
Wired’s Wild predictions are funny and interesting. But this is one that I really do NOT buy:
Print to Web
A major newspaper gives up printing on paper to publish exclusively online.
No major newspaper is going to do that, certainly not this year. But there is a great deal of gloom in the newsprint world, and to a degree it is creeping over to magazines. Today’s Financial Times has an insightful analysis of the situation — especially with respect … Keep Reading
At the start of 2006 Exact Editions was running some test magazines through our system. They are still there. We had no commercial service at all. That began in February.
As the year turns we have:
32 magazines in the shop
506 issues in your hands if you subscribe to them all.
But we have processed many more issues. 1908 have been through our hands so far (as a ‘whitelabled’ service to publishers, or for test purposes, or … Keep Reading
If, on reading the last posting, you decide that a digital subscription for a friend, nephew, aunt, colleague, or distant lover is the present that you still have to buy before Christmas:
All you need to do is to buy the annual subscription for your chosen magazine in the normal way (using PayPal and/or your credit card as our shop encourages you to do) and then email support@exacteditions.com and tell us that this is a gift subscription, mention the … Keep Reading
Chris Anderson, who wrote the book The Long Tail and is Editor of Wired magazine, has written a stimulating piece on ‘What Radical Transparency would mean for Wired‘.
There is a lot to consider in the two-part posting. It got me to thinking about the way the web enables any media business to establish a surprisingly close, immediate and in a sense intimate relationship with the audience (the market, the readership), while at the same time there is … Keep Reading
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