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Wherefore Art Thou Roneo-ed?

A friendly journalist referred the other day to one of the Exact Editions Apps as a ‘photostat’ of the magazine. One of my colleagues noted that this was a word she hadn’t heard for 20 years, and my wife’s cryptic observation was: “At least he didn’t call it a roneo-ed version”. I was wondering whether this comment was a curious compliment. Have you noticed the way in which ‘vinyl’ has become a term for musical quality and tonal fidelity? Perhaps the roneo-ed Digital Magazine is the acme of approval in an app, and the photostat is just a step on the way to wax cylinder bliss?

Perhaps. But I think not. Exact Editions is so named because we believe that digital editions of magazines (books, newspapers, bibles, periodicals, catalogues, compendia, scores, and print objects in general) should be faithful representations of the digitised pages. But of course a digital edition has to be much more than a simple reproduction. To see the result as a photostat or a mere copy is to miss more than half the point. Here is a non-exhaustive list of the other features one should expect in a digital edition:

There are other things one could add to this list, but it is long enough to make the point. Digital editions are much, much, more than roneo-ed editions. I am fairly sure that the early users of the Spectator App which was released just over a week ago, have not yet realised how much coiled web energy there is inside the App. There are, by my back of the envelope estimates, over 200 issues, well over 10,000 digital pages, over 5,000 live phone number links, perhaps 20,000 internal links within the magazine issues and well over 20,000 external links from the issues, all of this is accessible from the App. But the App is not really a product at all, it is a subscription service to a database which manages the magazine for its subscribers. Publishers are all now in the service industry, and digital editions are the service that they should be offering their readers.

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